While it is already known that fashion industries are the second largest cause of pollution on earth, it is now established that "fast fashion" is a major contributor to greenhouse gases, water, and air pollution by creating problematic levels of waste that is hard to dispose of.. Such design silhouettes can be worn for multiple occasions and are timeless, highlights Sandhya Tholi, founder of fashion brand Indé Loom. Currently, we are using sustainable fabrics like Organic Cotton, Tencel, Bamboo Pu Waterproof Fabric Supplier Fabric, etc. Thereby, we can avoid wastage of sustainable fashion," says Chawla.  

We do not produce the stocks in bulk to store, but we work according to the demand in every season. As a brand, we do not indulge in overcrowding the rails ever, but cater to our clients almost exclusively, for each season, and avoid excess baggage of unnecessary collection, and waste. Organic cotton requires 71% less water and 62% less energy than commercial cotton; it is 80% rain-fed."Experts also believe that the need of today’s consumer is not changing of fashion collection with a big selection so very often, but having a bespoke collection four times a year, as a seasonal collection.  

Meena Chawla, director of fashion label Ravissant, endorses Jean Paul Gaultiers observation and reaction to the enumerable collection with too many fashion clothes. The fashion industry can definitely keep a quantity check, and make clothes according to the existing demands. We are in the process of becoming a 100% zero waste brand, as the fabric waste from our studio gets recycled and is then converted into paper tags, bags, visiting cards, other stationery and other biodegradable products. She explains the phenomenon of fast fashion and says, "These days, brands make a lot of collections in advance, and due to constant emerging trends, they tend to go out of fashion every-time. As designers, we should try to use organic fabrics and implement recycling strategies to reduce wastage from garments. In a recent interview, iconic French designer Jean Paul Gaultier called it a "disaster" and mentioned that big fashion brands are harming the planet by producing "far too many collections with far too many clothes".  A lot of new age and sustainable fashion brands are averse to excess and understand the devastating effect of excess clothing being manufactured.Work on capsule wardrobes and also educate the end customer through our work."lTo cut down on the fast fashion, small and big fashion brands have to adapt to the slow fashion philosophy, as timeless designs and colours work great in the Indian market. "It is not required at all; it surely is waste and absurd. By using good quality fabrics that last longer and paying special attention to fits, one can take care of all the major reasons that make people discard old clothes, suggests Pooja Khanna, founder of fashion label Venn who also feels that waste is a design flaw. Creating awareness about the problem of excess and giving consumers timeless pieces  will hugely solve this problem. Slow fashion is a movement started to address this problem by changing customer behaviour to buying less and busying concisely. He said companies must stop engaging in a "contest" to make the most clothes."We pay special attention to reduce waste in our design process by ensuring that our designs dont leave colossal fabric wastes. She agrees to Gaultier’s statement about fast fashion and remarks, "It is, unfortunately, true and one can only imagine the excess waste generated out of every new collection produced. which feels the same as the regular fabric. We also follow a "made to order" process, ensuring we are not keeping substantial unsold inventories. Dyeing is purely done with azo-free and natural dyes which are free of carcinogens and harmful chemicals," informs Pooja Khanna about the eco-friendly methods she implements.Since most designers swear by the philosophy of ‘minimalism’ when it comes to manufacturing clothes why are brands creating heaps of clothes? How can the problem of plenty be tackled? Mumbai based designer Purvi Doshi believes that it’s high time designers switch to sustainable fashion that does not harm the planet. To do our bit to reduce pollution, we use cotton and sustainable fabrics in our garments. The fabric is biodegradable and decomposes without any toxic remains

Currently, she’s working on some new techniques within the arena of resist dyeing. So what’s the future of textile art? Dhir explains, "I looked at textile just as a medium for self-expression. My last two solo shows depicted my inner feelings. Her work also reflects the sacred traditional techniques like Bandhej from India, and Adire from Nigeria. The diligence and dedication of the weavers left a lasting impression on Dhir. The fabric is layered and folded in a distinctive fashion and what follow are diverse stages of dyeing and resisting on the pre-conceptualised stitched patterns. In this process, I suddenly discovered my latent talent of being able to interact with craftsmen so effortlessly without even knowing their language. But now my ongoing work is a response to environmental changes, pollution, water issues etc," she quips. "A textile artist is not confined to only a type of fabric, rather textile art encompasses any fabric, technique or a combination of techniques to realise a surface which can be a piece of art also," elucidates Dhir.People usually connect with paintings, wall panels and sculptures, but it gets slightly difficult for textile artists as the concept is still picking up in India. "That was the day I realised my calling for textiles. Presented by Gallery Art Motif, New Delhi, the exhibition, which will go on till December 17, showcases imaginative works of Dhir in various patterns. "My work is changing, I feel it’s becoming more responsive to the environment and experiences around me.The laborious process of resist dyeing involves multiple stages. Another piece of work uses black and brown in circles as if to depict the waning and waxing of the moon. I relate to fabric more than any other material as my education revolved around textiles… I feel textile and their techniques give wider scope of exploration than a canvas.Textile artist Neha Puri Dhir infuses creativity, originality and design application in her exhibition titled "The Art of Shibori". "I am happy that textile art has been encouraged… I feel textile fades/warps with time, same as our lives," says Dhir. Dhir has been using synthetic dye but she also plans to explore natural dye soon. And Dhir’s works —  the unpredictable results that resist dyeing present — are congruent with this philosophy. Circles and semi-circles aligned and used with various permutations and combinations of colours and patterns lend an ethereal quality to the works.. It gives an artist the freedom to choose from a wide range of fabrics — silk, cotton, raw silk, chiffon, polyester, linen etc.Dhir’s tryst with textiles began as a student at the National Institute of Design, Ahmedabad, when she happened to visit a small village called Paithan in Maharashtra, which is famous for its Paithani sarees, as part of her course curriculum."Textile art is an unending canvas.  

Saree weaving is an extremely laborious process, to the extent that it takes days just to set the loom for weaving. Hand-woven fabric from various weaving clusters is procured and then the design is actualised on the surface of the white fabric.The good response to the exhibition is an appreciation of Dhir’s art practice of around four years. Indigo perfectly blends with mustard to form a unit.Inspired by a Japanese manual resist dyeing technique on fabric, called Shibori, the artworks require intricate stitching, multiple China PU Coated Fabric Manufacturer levels of dyeing and discharging and finally unstitching. One needs to be careful while choosing thread count, and the right colours that will interact and blend with each other.Priced from Rs 90,000 onwards, the works have geometric patterns. I can call it an ‘aha’ moment in the true sense as there was no doubt left in my mind thereafter that it has to be fiber/textiles that I would want to explore for the rest of my life," says Dhir excitedly.Textile art in India is still picking up, and a lot of the time it’s compared to traditional textile crafts because India’s textile traditions are age-old and are created with great finesse. Dhir’s design philosophy has been influenced by the Japanese aesthetic Wabi- Sabi, centred on the acceptance of transience and imperfection

"We have floral, check patterns in our Onam 2019 collection," she added."Their campaign included physically challenged people, plus-size models, entrepreneurs among others. Inspired from nature, anyone can wear Handloom, doesnt matter what the age is, what background they come from, what complexion they have," she said. To extend the reach of their latest Onam collection, the designer explained, "We recently did one campaign especially with people who are around us like Sheroes and Heroes.Her brand also collaborated with some famous fashion designers of the country to bring out a fresh collection for this years Onam festival. To cater to this problem, new-age designers have started experimenting in Handloom fashion to woo more and more Keralites into wearing the traditional fabric. The festival is celebrated to commemorate the Great King Mahabali, who according to the legends is said to visit Kerala on this of this auspicious occasion. "This year we want to  spread this message across that Handloom for all. "We have Tiffany, she is visually challenged but for us she is a hero. She modelled for us for the first time wearing a nice sleeveless Kurta like a dress with a stole. "It is a soft fabric which is dyed in Aloe Vera and carries a different touch and feel," Shobha said. Shobha is using the service of small handloom units across Kerala to weave voguish dress. We also had a plus-size model and an entrepreneur and artist," she told.Trivandrum: Designers and young entrepreneurs in the state are coming up with new creative Handloom ideas around the annual harvest festival, Onam which kicked off earlier this month.The designer revealed that they played with the popular Boda and Kasava fabric and incorporated the two to weave out new soft fabric.Taking inspiration from the nature around here, Shobha Ashwin, owner of Weavers Village, a noted clothing brand, wishes to spread the message that Handloom is for all.The 10-day long festivity witnesses people engaging themselves in activities like boat race, flower arrangement, tug of war but what stands out most is the beautiful Handloom attires they wear around this time.. Introducing a new fashion isnt enough until it is propagated to the masses.With the demand of Handloom only restricted to Onam season in the state, a number of units were shut down

The tiny pieces of fabric, some only 5 x 5 centimetres in size, vary in colour, weaving technique and ornamentation. "Some of these fabrics resemble textiles only known from the Roman era," said Orit Shamir, a senior researcher at the Israel Antiquities Authority.This is the first discovery of textiles dating from the era of David and Solomon, and sheds new light on the historical fashions of the Holy Land.This is the first discovery of textiles dating from the era of David and Solomon, and sheds new China Raincoat fabric Supplier light on the historical fashions of the Holy Land, researchers said.Israeli archaeologists have discovered an extensive fabric collection of diverse colour, design and origin from copper mines dating back about 3,000 years to the biblical era of King David and Solomon. The arid conditions of the mines have seen the remarkable preservation of 3,000-year-old organic materials, including seeds, leather and fabric, and other extremely rare artefacts that provide a unique window into the culture and practices of this period.The textiles also offer insight into the complex society of the early Edomites, the semi-nomadic people believed to have operated the mines at Timna. "No textiles have ever been found at excavation sites like Jerusalem, Megiddo and Hazor, so this provides a unique window into an entire aspect of life from which we’ve never had physical evidence before," said a researcher. The ancient copper mines in Timna are located in Israel’s Arava Valley and are believed by some to be the site of King Solomon’s mines.